What I really wanted was to capture that room ambience and the great acoustics of the pub. Probably a low cut filter would help, I don't know. Even an iphone will automatically sound wider, though more distorted of course. I've recorded with dynamic mics like the SM57, but unless I'm close micing an instrument, it will just sound compressed and dull. Not sure wich converters you're referring to, but I just plug the mic with a XLR to my camera wich probably has its own converters. But I can use the MM1 with one mic and another mic going directly to the camera.ģ.

It supports two XLR inputs, but if I use my MM1 pre (wich is mono), I'm down to one. I'll be recording it to my Canon XH A1 video camera.

I don't like recording directly from the mixer because I have to settle with the mixer own EQ wich is not the same as what people are listening and it ends up sounding dull and not balanced at all.Ģ. So all the mics will go through the pub's own mixer and from there to the PA. We're going to be micing everything except the drums wich we'll probably just mic the bass drum (the pub has really good acoustics so the drums don't need any overheads). But how you do all this (whether or not you can capture individual tracks for each instrument, or just a stereo mixdown, or a stereo recording of the room sound) depends on the gear available to do the mixing and the capturing, hence the questions above.ġ. The Shure microphones are exactly what you should be using in a live recording situation, and most venues will already have a box full of 57s and 58s at least. If you are recording to a digital device, how are you converting the audio signal to digital currently? i.e. What are you recording to? Computer? Tape machine? Other digital device? How many input channels does it support?ģ. What equipment is available at the live venue? Are they all set up with mixer, PA, monitors, mics, etc? If so, what kind of mixer?Ģ.

Apstrong, post: 412240, member: 36444 wrote: Need more information:ġ.

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